It's not so
much
A matter of
trochees
Or synedoche
Not that
they're
Inconsequential
But my
primary
Concern is how
a poem
Sounds when
it falls
Upon the
inner ear
Whether
composed
While
walking the dogs
Around the
block
Or at home
alone
With Artie
Shaw
In the
background
For me
Words
unspoken
By the
breath
Carry the
purest
Possible
sound
That can be
best
Understood
only after
Writing them
down
And the task
for
Any true
poet
Remains ever
The same --
To capture
and
Apply simple
truths
Across the
broadest
Possible
frontier
As
one or two
Contradictions
Will
almost always suffice
To preoccupy
even
The
most aesthetically
Afflicted
human spirit
Whether
it’s a great big
Bearded Literatus
Bearded Literatus
Like
Whitman
Or
a sickly neurasthenic
Like
Proust
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